Essays
“What Was Will Be: Secular Magic, Sculpting Cinema,” by Zoë Heyn-Jones in “Sculpting Cinema,” Edited by Melanie Wilmink & Solomon Nagler, published by Pleasure Dome.
Selected Exhibition Texts
“Scraps of coastline, dubious capes, supposititious islands, headlands that may or may not be there: Documents from Antarctica by Kristie Macdonald” by Daniella Sanader, Modern Fuel, 2022
"Notes from Returning to the Scene," by Emily McKibbon, MacLaren Art Centre, 2016-2017
"Illusions and Reproductions," by Inger Marie Møller, BABEL Visningsrom for Kunst, 2015 (Danish/English)
"What Was Will Be Be and Yellow Font Forest Green," by Caoimhe Morgan-Feir, Gallery 44, 2014
"Home and Away," by Jen Hutton, Open Studio, 2011
Selected Press and Reviews
"Illusjonar og Reproduksjonar," Interview with Øyvind Rongevær Kvarme, Artscene Trondheim, 2015
"I think you're wonderful and so does everyone else," by Terence Dick, Akimblog, 2015
"Christina Battle & Kristie MacDonald: What Was Will Be," by Shellie Zhang, Artoronto.ca, 2014
"Photo-Art Show Takes on Topsy-Turvy Weather," by Leah Sandals, Canadian Art, 2014
"Nature's Fury," by Fran Schechter, NOW Magazine, 2014
"What Was Will Be," by Madi Chambers, Carbon Paper, 2014